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book cover for The Fruit Cure: The Story of Extreme Wellness Turned Sour by Jacqueline Alnes. A peeled banana sits at the center of the cover.Purple background behind the book, with a grocery bag holding a pineapple and orange that says Sell by on its bag.

Thought you might like to hear more about recent editing projects

—like this one, out today in hardcover from Melville House

The Fruit Cure by Jacqueline Alnes

Jacqueline Alnes wants you to know that current Instagram diets are really just repackaged versions of fad diets that have been floating around diet books, pamphlets, and lectures from the early 1900s. 


She should know: In an empathetic, personal, and deeply researched story, she describes the way her own health challenges led her away from authority figures who had let her down (like her doctors and running coaches) and turning instead to restrictive diets. Following the dancing bananas on a couple of famous fruitarian websites—and going back a few hundred years in the history of fruitarianism—Alnes points out that humans keep reinventing the idea of “clean” eating. “Eating fruit and fruit alone is not the issue,” Alnes writes. “Instead, the ways that the fruit cure have been evangelized, monetized, and weaponized is a symptom of something much larger, one that stretches back all the way to the racist origins of thinness itself.” She emphasizes the difference between a cure and (the ongoing work of) healing.


What Alnes does exceptionally well is connect modern fad diets to a long history of disordered eating, and the business that blooms around it. One restrictive diet ushered her into corners of the internet full of people struggling to address chronic illness, eating disorders, and many other health complications. The author reflects the way religious dogma cast a shadow over the fruitarian movement, from Adam and Eve to “praying to the light of my laptop for an answer.”


In an interview with Christine Yu for Outside Magazine, Jacqueline said, “If someone says, do this one thing and it can help you, it’s more appealing than your doctor telling you to do things in moderation. Instead, you can definitively know that you did something, you took action. It aligns with the idea of shame and this desire to be good.”


This book is, in one way, about going down an internet rabbit hole for awhile. I think of Marian Bull’s article about the year she got into overnight oats and healthy living blogs, how that came from a place of loneliness. The impulse to make a change can be a very good and potent one—it may be the first sign that we are beginning to grow aware of our own unhappiness—but it is easily misdirected by fad diets, especially when we’re feeling vulnerable.


One thread in The Fruit Cure might be familiar to readers who grew up in a specific kind of internet community (some of whom may have read about Freelee the Banana Girl in Jezebel, The Daily Beast, Cosmopolitan, etc.). Alnes explores the ways we perform good health—from Instagram posts to bikini photos to “What I Eat in A Day” lists. She explores the way popular diet leaders attracted followers, details they shared about themselves to gain a foothold, and how anyone might be tempted to follow them. She makes it clear, especially in the historical examples, that the power these leaders wielded could be deadly.


She asks: Who is being harmed here? Who didn’t make it in the history of these restrictive diets? Were the leaders ever held accountable for their actions? And what became of the followers—did they suffer and log off, or launch their own wellness brands?


The Fruit Cure is the kind of book that would be good company in a waiting room—a genre no one should underestimate. Alnes ends the Outside interview with these lines: “It can be really beautiful not to live in extremes, to live with imperfection, and to give yourself permission to change, to be flawed, to have seasons where you may not be as productive. It’s something that I’m still working on.”


Thanks again to Melville House, especially Valerie Merians, for the chance to be a small part of this book. The Fruit Cure was acquired there by Athena Bryan and represented by Kate Johnson of Wolf Literary. Congratulations on your launch, Jacqueline! You worked so hard to get here.


Online events

Roxane Gay, a tall tattooed woman of Haitian decent wearing a black t-shirt, takes a phone photo of Sohla El-Waylly, a Bangladeshi-American woman who is a head shorter than Roxane Gay, wearing a short-sleeved hot pink t-shirt and glasses, who is simultaneously taking a photo of Roxane. They point their phone cameras at each other in a kitchen.

Roxane Gay and Sohla El-Waylly photograph each other

For The Audacious Book Club, Sohla El-Waylly talked about the way her career became much more interesting when she stopped striving to be a Michelin-starred chef at a top-tier restaurant and started doing things that sounded more fun.


One highlight here, and I hope it wouldn’t make El-Waylly uncomfortable to mention, but I was touched by the moment she realized she was missing one instruction in the recipe. Roxane Gay assured her it could be corrected in the next printing, and said readers still get in touch with her about a typo from the first printing of Bad Feminist.


The Audacity Book Club is also run by Kaitlyn Adams and Megan Pillow. In the past, the book club has partnered with Gibson’s Bookstore to sell selected titles, so here’s the buy link for Start Here by Sohla El-Waylly.

Small business shout-out

Sign above bookshelf that reads "MADE-UP" in capital letters

In case you were curious, the nonfiction section is labeled “true”

Thank you to the wonderful booksellers at Phinney Books in Seattle for a copy of Olga Ravn’s My Work, translated by Sophia Hersi Smith and Jennifer Russell, which has been a highlight in these dark months.


The book was published by New Directions last year, edited by Tynan Kogane. It’s a mix of fiction and poetry from the muddled postnatal months that are so life-changing for the protagonist that she separates the work she wrote then from the work she edited later. (Thank you to Victoria at New Directions for taking my call to confirm these details.)

It’s cool to contact your bookseller when you love what they’re doing

Screenshot of a tweet about a thank you note that says, "I wanted to let you know how grateful I am for your Migrations book boxes. . . It's everything I could have hoped for." In the tweet that includes the screenshot, bookseller Gary Lovely writes, "This was a very nice and unexpected thing."

Prologue Bookshop has a small but mighty subscription program for works in translation called Migrations. I think it’s rad that someone took the time to write Gary a thank you note about it.

Very here for librarian thank yous, too

White man with silver hair turns to look over his right shoulder. Behind him are shelves of library books. Beside him is an image of a grey-blue book cover, the story collection Walter Benjamin Stares at the Sea by C.D. Rose

C.D. Rose marks the release of his new story collection, Walter Benjamin Stares at the Sea, with a thank you to librarians everywhere. (We worked together on his debut, The Biographical Dictionary of Literary Failure, in 2014) He said the library offered him “a membership of the greater world, with its responsibilities and possibilities. . . . Libraries made me.”

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